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Guidelines: Content Categories and Subcategories Objectives:
Reformatting Historical Printed Matter, Documents and Manuscripts,
and Pictorial Materials — Content Categories and Subcategories Table
Still Image Working Group

Back to Content Categories and Subcategories table

Category AT

Special-purpose images

produced by reformatting aerial and medical images, where the originals are viewed by transmitted light.

Subcategory AT.2

Aerial photo negatives or transparencies, color.

Curator or end users determine that color reproduction is required for items in this sub-category. Examples that may require multispectral or other special technologies are not included here.

Use Cases: Master Images and Image Sets

  • Digitizing organization uses archival or production master image(s) to produce derivative images for the use cases listed under the tab to the right.
  • Digitizing organization uses the master (or migrated copies) to create a virtual replica or a physical replica of the original item in the event of its loss, deterioration, or de-accessioning.
  • Digitizing organization (or successor/receiving agency with an archiving mission) sustains the master (or migrated copies) for the long-term without loss of essential features
  • Digitizing organization uses masters for disaster recovery in the event of impairment of digital asset management systems.

Quality Notes

  • Image-quality characteristics of the archival or production master image(s) must be sufficient to support the production of the various image types listed under the Derivative Images tab. Dependencies include appropriate image specifications and a production activity that applies appropriate process controls, e.g., the use of targets to monitor output, a quality assurance process that includes the use of calibrated monitors and viewing environments, and various automated tools.
  • For future exploration: When should master images be in an original-referred image state?
  • Image-quality characteristics as above, plus completeness of coverage (in some cases capture of paper sheet "beyond the edge") must be sufficient to permit the use of the master (or migrated copies) to create a physical replica of the original item in the event of loss or deterioration. That is, the master will fill the niche formerly filled by copy negatives and copy transparencies.
  • Image-quality characteristics plus selection of sustainable digital-content formats must be sufficient to permit sustaining or migrating the master over the long-term without loss of essential features.
  • Disaster recovery in the event of the impairment of digital asset management systems depends upon the availability of metadata in standardized formats, including descriptive, administrative, and structural metadata, some or all of which may be embedded in individual images.

Use Cases: Derivative Images and Image Sets

  • Patron views inline image in user interface.
  • Patron makes a hard copy of one or more images for personal use.
  • Patron is confident that the content received is an accurate and/or authentic reproduction of the original item.
  • Patron (or content delivery system) receives information on rights and restrictions (delivery system may act on that information, if appropriate).
  • Patron downloads one or more of the derivative images and, later, uses embedded metadata to identify the content and to determined technical and provenance information about the image.
  • Analyst studies details in, say, an aerial photo with one meter resolution, identifying a feature one square meter in size.
  • Digitizing organization may run a process that yields descriptions of "low level features" (colors, shapes, etc.). These descriptions may then be indexed in a special application, permitting patrons to search for and/or analyze images according to color, shape, etc.
  • Publisher uses image to illustrate a high quality book.
  • Exhibit designer uses image for display "mural."
  • Broadcaster uses image in high-definition television program, possibly with a Ken Burns effect.
  • Digitizing organization produces and archives an image that documents the condition of the original physical item in order to support its conservation.

Quality Notes

    Inline image in user interface:

  • Pictorial content is reasonably clear. Zoom in may be required.
  • Hard copy output:

  • Equivalent to good quality photocopy.
  • Patron confidence in accuracy and/or authenticity:

  • Depends upon provenance metadata (attribute of the copy) and trustworthiness of the provider (attribute of the institution).
  • Resolution issues for aerial photography are well described and defined in a number of specialized U.S. Government publications. Here are a few examples:

  • United States Geological Survey (USGS) description of Digital Orthophoto Quadrangles (DOQs): "DOQs are black and white (B/W), natural color, or color-infrared (CIR) images with 1-meter ground resolution." http://eros.usgs.gov/products/aerial/doq.php.
  • USGS description of High Resolution Orthoimagery: "The orthoimagery are natural color, black and white, or color infrared. The resolution of the orthoimagery is 0.3 meters to 0.75 meters, depending on the source imagery." http://eros.usgs.gov/products/aerial/hiresortho.php.
  • General menu and information about USGS aerial imagery: http://eros.usgs.gov/products/aerial/napp.php and http://eros.usgs.gov/guides/napp.html.
  • From the document Part 1, General Standards for Digital Orthophotos (12/96; http://rockyweb.cr.usgs.gov/nmpstds/acrodocs/doq/1DOQ1296.PDF): "The photography is scanned with an aperture that can be adjusted between 7.5 and 30 micrometers (µm), depending upon the image scanner and desired output ground/pixel resolution. For example, an aperture between 25 and 30 µm yields a reasonable compromise between file size and adequate image resolution to support the present digital orthophoto program requirements. A 9 by 9 inch (240 mm square) black and white aerial photograph scanned with an aperture of 25 µm yields approximately 88 megabytes (MB) of raw data. Using 1:40,000-scale photographs, a 25 µm scan equates to a ground sample distance of 1 meter. A black and white quarter-quadrangle digital orthophoto generated and cropped from a 240- by 240-millimeter photograph, scanned at 25 µm, with the requisite overedge and header produces a rectified file between 45-50 megabytes."
  • The National Aeronautics and Space Administration (NASA) offers a very instructive Remote Sensing Tutorial (http://rst.gsfc.nasa.gov/start.html).
  • Reagarding shadow detail:

  • The examination of shapes and tones in deep shadows may depend upon High dynamic range (HDR) data carried over from the source negative or transparency.
  • Image used for book illustration:

  • "Studio quality," permitting an accurate reproduction of the shapes, tones, and colors of the original. Good enough to make printing plate(s) for a halftone printed in color.*
  • Image to illustrate a large poster:

  • "Studio quality," permitting an accurate reproduction of the shapes, tones, and colors of the original. Good enough to make printing plate(s) for a halftone printed in color.*
  • Image for use as an exhibition mural:

  • "Studio quality," permitting an accurate reproduction of the shapes, tones and colors of the original on a digital printer.*
  • * What specifics can be offered for the size and resolution (dots per inch) of the printing plates (or, for murals, the output of a large-format digital printer) that would represent success in these use cases? Will the size and resolution increase as the sizes of the original items increase, as is suggested by NARA's incremental recommended specifications for small, medium, and large originals? (See 2004 NARA Guidelines tab.) To illustrate how this might work, imagine creating printing plates for books with the following parameters: from a small original, a plate of 6x9 inches at 120 dpi; from medium, 6x9 inches, 180 dpi; and from large, 10x12 inches, 180 dpi. Similar benchmarks might be established for posters. Meanwhile, the production of exhibition murals might seek the following outcomes: from a small original, a 3x5-foot mural; from medium, 4x6-foot; and from large, 6x9-foot. The success measure would be, "Is the viewing/output digital image produced for these use cases good enough to do the job?"

    Image for use in high-definition television program.

  • "Studio quality," permitting an accurate reproduction of the shapes, tones and colors of the original. Good enough to fill high-definition screen and zoom in using a Ken Burns effect.
  • Note: Derivative images will generally be in an output-referred image state.

Recommended

Note: The 2004 NARA Guidelines are divided by the size of the original item, as indicated below. The guidelines also include alternate specifications similar to those below, but with reduced requirements for pixel density. These alternate specifications are not included here.

Specifications for the format range 70mm wide and medium format roll film, and the size range smaller than 10 square inches:

    Pixel Array:

  • 6000 pixels across long dimension of image area, excluding borders Resolution:
  • Scan resolution to be calculated from actual image dimensions - approx. 2700 ppi for 70mm originals and ranging down to the appropriate resolution to produce the desired size file from larger originals.
  • Dimensions:

  • Sized to match the original, no magnification or reduction
  • Bit Depth:

  • 24-bit RGB mode for color and monochrome (stained negatives), can be produced from a 48-bit RGB file

Specification for the format range 127mm wide roll film, 4"x5" and up to 5"x7" sheet film, and the size range equal to 10 square inches and up to 35 square inches:

    Pixel Array:

  • 8000 pixels across long dimension of image area, excluding borders
  • Resolution:

  • Scan resolution to be calculated from actual image dimensions – approx. 1600 ppi for 4"x5" originals and ranging down to approx. 1100 ppi for 5"x7" originals
  • Dimensions:

  • Sized to match the original, no magnification or reduction
  • Bit Depth:

  • 24-bit RGB mode for color and monochrome (stained negatives), can be produced from a 48-bit RGB file

Specification for the format range larger than 127mm wide roll film and larger than 5"x7" sheet film, and size range larger than 35 square inches:

    Pixel Array:

  • 10,000 pixels across long dimension of image area, excluding borders
  • Resolution:

  • Scan resolution to be calculated from actual image dimensions – approx. 2000 ppi for 5" x5" originals and ranging down to the appropriate resolution to produce the desired size file from larger originals
  • Dimensions:

  • Sized to match the original, no magnification or reduction
  • Bit Depth:

  • 24-bit RGB mode for color and monochrome (stained negatives), can be produced from a 48-bit RGB file

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Working Groups

Still Image Working Group
This group is involved in a cooperative effort to develop common digitization guidelines for still image materials.

Audio-Visual Working Group
The goal for this working group is to identify, establish, and disseminate information about standards and practices for the digital reformatting of audio-visual materials by federal agencies.

Last Updated: 09/10/2015